Building an ebook business around analytics (an interview Askmen’s Emma McKay on the TOC Blog)

Askmen, the online magazine for men, uses the PressBooks Publisher Platform as the production and management tool for their ebook publishing program.

I sat down with Emma McKay, managing editor at Askmen and the force behind their foray into ebooks, to talk about what happens when an analytics-driven web publisher enters the ebook space. The full interview can be found on O’Reilly’s Tools of Change blog. Here’s an extract:

Hugh McGuire: What sorts of ebook data would you most want access to?

Emma McKay: Real-time sales data is the top priority by far, but we’d also love to know how readers discovered the ebooks, and whether they purchased a single ebook or more than one. The big retailers are all collecting data on who is buying ebooks and how ebooks are being consumed, but they’re not about to share this information with us. So we’re also pursuing direct sales opportunities – among other advantages, this allows us to get to know our readers a little better.

HM: How would that data influence your ebook publishing decisions? 

EM: The better we understand our readers, the better we can cater to them. Who are they, and where do they live? It’s always fascinating to track how content we publish on the site gets picked up in different corners of the world. Perhaps our ebook audience is entirely based in India. Or the Midwest. Either way, we’d like to know, so we could tailor our program accordingly.

We’d like to know whether our audience consumes ebooks in the same ways they do our website content – are they dipping in and out of them to get the advice they’re looking for, or are they sitting down for a couple of hours to read a narrative like Pakistan Chronicles from beginning to end? Are they looking to go deeper into a single subject, like they can with our titles Understanding F1 and Build the Ultimate Watch Collection, or are they looking for the kind of guidance we can offer with The Hair Manual (coming out this week) or a how-to-make-fitness-part-of-your-daily-life-for-life title like our recent hit Mission: Motivation?

We’re also interested to learn how readers discover our ebooks. If we could see that they were flocking to the ebooks from a specific source, we’d take a closer look at that source, and at ways we could build on whatever it is that’s working, whether this leads us to promote the books in a specific way or through a particular outlet, build new partnerships or establish a themed series or imprint.

[more of this interview on the TOC blog...]

Opening the Book: CBC Radio Documentary

The CBC Radio show Ideas has produced a documentary, called: “Opening the Book,” featuring James Bridle, Bob SteinKylie MirmohamadiSue Martin, and me:

The book has stayed pretty much the same for over 500 years: a bunch of paper pages between covers. It’s been both finite and easily grasped. But our digitally-connected world is forcing us to re-imagine what books could be.

You can listen to the audio here [mp3], and visit the CBC page here.

Japanese Ad for Book: A Futurist’s Manifesto

Book: a Futurist’s Manifesto, built on PressBooks and published by O’Reilly, has a new Japanese publisher: Voyager Japan. They’ve released a Japanese version of our book. And here is their awesome ad:

 Book: A Futurist's Manifesto - Japanese Ad

Book: A Futurist’s Manifesto – Japanese Ad

Introducing the Rogue Reader

Very exited today for the (soft) launch of The Rogue Reader, a new kind of publishing enterprise, run by Jason Ashlock, and powered completely by PressBooks.

The whole thing is running on a dedicated PressBooks network: front-end customizable WordPress, back-end book production on PressBooks… with the PressBooks books hooking right into the front-end catalog.

We have a few more key things to build (ecommerce!), and this is just a first cut, but this is the first real example of what I think PressBooks *should* be used for. Check it out!

The Rogue Reader is your destination for original, outsider suspense fiction. We showcase authors with big talent and even bigger scores to settle, and offer you a venue to connect and vent with them and with other rogue readers like you.

Would you like to set up your own “Rogue Reader” ? Send us an email, let’s talk: hugh@pressbooks.com.

Book: A Futurist’s Manifesto – Available Everywhere

Book: A Futurist's Manifesto Cover

More than a year ago, I pitched a book idea first to Brian O’Leary (who became the co-editor), and then to Joe Wikert at O’Reilly Media. It was indeed a “book idea” in every sense of the word(s), and I am thrilled to announce that the “final” product is available today.

“Book: A Futurist’s Manifesto” launches

Book: A Futurist’s Manifesto, is finished, and you can now find in print, ebook, and online … at: AmazonBarnes & Noble, Kobo and of course at O’Reilly. (Coming soon: iBooks and others).

Behind the Book

The “idea” of this book was to explore “the idea of a book.” We wanted to get away from the abstract or philosophical, and make a practical guide for the publishing world — for someone just starting a publishing enterprise today, for people in the business already, and for authors and self-publishers who want to think beyond “upload my book to Kindle.”

We pulled contributions from people who are actively working to shape the future of books, and have (we think) a cracker of a collection.

More than a collection of writing, though, the pitch to O’Reilly hinged on the idea of building the book on PressBooks (online book-making software I was and am still building), and outputting an ebook, a print book and an online version — all from that single source in PressBooks. That spiced things up, since PressBooks was in such an early phase at the time, so we’ve been building and fixing software while trying to make a book at the same time. It’s been great.

Part 3, the Final Part

Today we release Part 3 of the book, and we send the completed book  into online bookstores around the universe. This third part, The Things We Can Do with Books: Projects from the Bleeding Edge, includes the following essays:

Parts 1 and 2

And this complements the first two parts:

Preface
Introduction

The Setup: Approaches to the Digital Present

The Outlook: What Is Next for the Book?

Thanks again to to the people who made this happen: my co-editor Brian O’Leary, who did so much of the hard work to make sure this project got finished; to Joe Wikert, Kat Meyer, Dan Fauxsmith, Adam Witwer, and the rest of the team at O’Reilly; thanks to all the contributors; and finally, thanks to those of you who have read parts of this book in various incarnation, and to those of you who will read it in the future.